Free Printable Vintage Illustration for Cardmaking, Journaling, Scrapbooking or Wall Art: Two Portraits of Victorian Women in Ruffles

Life is full of challenges, seen and unseen,
so to look and feel great, you must hold your head up each day
and project your inner confidence.
― Cindy Ann Peterson, My Style, My Way: Top Experts Reveal How to Create Yours Today

Starlight beats when heart twinkles
Youthful sky beyond cloudy wrinkles
Muse of glory to flame the night
Verse inscribed as written light
― Munia Khan
TWO antique illustrations of Victorian young ladies wearing ruffled outfits from c1890. The first portrait is of a young lady with glossy chestnut brown hair and clear, beautiful brown eyes that look out into the world serenely, lending her an air of easy, calm confidence.

The second portrait is also of a brunette. She is wearing a cluster of tiny, pink flowers pinned to her bodice and her crystal blue eyes gaze dreamily out into the world.

Free to download for use in cardmaking, journaling and scrapbooking projects or simply print and frame as wall art. You can find the high-res 8" x 10" @ 300 ppi JPEGs without a watermark here and here.


For personal use only. Not for resale. All digitized work by The Real Victorian is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Please cite RealVictorian.com as your source when sharing or publishing.

Printable Vintage Fashion Illustration for Collage, Junk Journal, Papercrafts or Scrapbooking: Edwardian Lady and Girl on Deck of Ship 1, 1904

There's always another storm. It's the way the world works.
Snowstorms, rainstorms, windstorms, sandstorms, and firestorms.
Some are fierce and others are small.
You have to deal with each one separately,
but you need to keep an eye on whats brewing for tomorrow.
― Maria V. Snyder, Fire Study
Antique fashion history illustration from 1904 showing a veiled Edwardian lady and her daughter on the deck of a ship in the midst of a stormy sea.

Free high-res 6" x 8" @ 300 ppi JPEG without a watermark for collage, junk journal, papercrafts or scrapbooking projects here.


For personal use only. Not for resale. All digitized work by The Real Victorian is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Please cite RealVictorian.com as your source when sharing or publishing.

Printable Vintage Fashion Illustration: Victorian Ladies in Walking & Travel Dresses, 1893

When you lost sight of your path, listen for the destination in your heart.
― Katsura Hoshino

There’s something about arriving in new cities,
wandering empty streets with no destination.
I will never lose the love for the arriving, but I'm born to leave.
― Charlotte Eriksson, Empty Roads & Broken Bottles: in search for The Great Perhaps
Two Victorian young women in walking and travelling dresses. Originally published in 1893. You can download the 10" x 10" @ 300 ppi JPEG without a watermark here.


For personal use only. Not for resale. All digitized work by The Real Victorian is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Please cite RealVictorian.com as your source when sharing or publishing.

Free Printable Vintage Illustration for Cardmaking, Journaling, Scrapbooking or Wall Art: Conversation in the Conservatory, 1857

It is a wise thing to be polite; consequently, it is a stupid thing to be rude.
To make enemies by unnecessary and willful incivility,
is just as insane a proceeding as to set your house on fire.
For politeness is like a counter ― an avowedly false coin,
with which it is foolish to be stingy.
― Arthur Schopenhauer, The Wisdom of Life and Counsels and Maxims

Life is short, but there is always time enough for courtesy.
― Ralph Waldo Emerson
Antique illustration originally published in 1857 showing two Victorian ladies in (one-sided?) conversation in a conservatory.

Free to download for use in cardmaking, journaling and scrapbooking projects or simply print and frame as wall art. You can find the high-res 8" x 10" @ 300 ppi JPEG without a watermark here.


For personal use only. Not for resale. All digitized work by The Real Victorian is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Please cite RealVictorian.com as your source when sharing or publishing.

Vintage Art Appreciation: In the Orchard by Edmund C. Tarbell

In the Orchard, 1891
by Edmund C. Tarbell (1862–1938)

About the artist: Edmund C. Tarbell represented the so-called Boston school of impressionism and was a member of the group known as the Ten American Painters. When he showed In the Orchard at the 1893 World’s Columbian Exposition in Chicago, Tarbell became the acknowledged leader of a national impressionist movement.

While Tarbell claimed that he was unaffected by the impressionist paintings he had seen while in Europe, In the Orchard is clearly indebted to a major work by the French impressionist artist Pierre-Auguste Renoir (1841–1919), Luncheon of the Boating Party of 1880–81.

About the painting: In the Orchard is Edmund C. Tarbell’s image of his wife, Emeline Souther Tarbell, her siblings, and a family friend conversing in a bucolic setting on a summer’s afternoon. The figures have been identified as the artist’s sister-in-law, Lydia, standing at left and shown again, seated and with her back to the viewer, on the right; Lemira Eastman, a family friend, in dark blue; Richmond Souther, leaning over the back of the red bench; and Emeline, wearing a black hat and looking directly at the viewer. Poses and glances tie the five together in an intimate, convivial circle in the beneficent dappled sunlight of the orchard, which stretches away to a white fence in the distance.

Tarbell painted the orchard landscape while in France in 1886, near the end of a two-year stay interrupted by a brief return to his native Boston to become engaged to Emeline. Following his final return from France, he painted the figures, posed in the backyard of the Souther family’s home in Dorchester, then a near suburb of Boston.

Sources:
[1] Image found on Conversations with the Collection, Terra Foundation for American Art
[2] Artist and painting descriptions